Dancing in pointe shoes certainly a precise technique - if you'd like to avoid common dance injuries for example sprained ankles and knee sprains. A dancer, or grown-up ballet beginner, usually takes 2-3 a lot of classes, and also be constantly sickling in, or curving the ankle inwards to the center from the body, or "fishing", or curving the ankle outwards off the center in the body. For the working, or presenting leg, high isn't weight on the foot, advertised . makes no difference. But at a supporting leg, the lower limb that bears the body weight, it certainly is important - particularly if you like to dance in pointe shoes.
Keeping the ankle aligned, meaning neither sickling or curving in, nor curved out, is the perfect situation. But dancers with less arch curve may like to sickle out, or "fish" the ankle curve, for a working, or lifted leg, to point out a stunning curve on the foot a very flexible rearfoot would show. This may not cause a ballet injury, in the foot as well as knee.
However, allowing the ankle to sickle in, or out, for a supporting leg, will impact the condition on the foot's arch muscles, on top of that as the ligaments supporting the knee joints.
So a nicely instructed dance student could "fish" or sickle out an effective leg foot, within an extension devant, or an arabesque, to build the ballet aesthetic that ballet teachers, choreographers, and artistic directors hunt for. This is often okay in the presenting leg ballet position.
Most audience members who go to ballet typically are not seeking this detail, please count on me. PLEASE.
On a supporting foot, whether in toe shoes or on demi-pointe, the ankle is required to be aligned, which can be, competent a straight line down belonging to the knee joint, for you to protect the tendons and ligaments that keep structure of this upper leg, knee joint, and minimize leg, safely intact.
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